Evaluation

Impact and evaluation

A label that is never measured is a logo. This is the evaluation framework the programme commits to: four dimensions, defined indicators, named data sources, and published results — including the ones that do not flatter the model.

01

Economic benefit

Did lawful use create measurable value?

  • Licence revenue collected in each host country during the tournament window, against the same window in the previous year.
  • Number and value of new licences issued to hotels, fan zones, transport and hospitality operators.
  • Commercial placements of song camp works across broadcast, sponsorship and advertising.
  • Fees paid to designers, photographers and visual artists for tournament-related commissions.

Data source · Collective management organisation statements, licensing records, sponsor reporting.

02

Creator remuneration

Did the money reach the people who made the work?

  • Share of song camp participants with a confirmed split sheet and registered work.
  • Median time from use to distribution of royalties.
  • Number of creators receiving a first-ever royalty distribution through the programme.
  • Proportion of catalogue works with complete ISRC, ISWC and credit metadata.

Data source · Camp records, registration confirmations, distribution statements.

03

Public perception

Did attitudes to copyright change?

  • Awareness of the label among fans and among labelled businesses, measured before and after.
  • Recognition of the label as a factor in choosing a venue or broadcaster.
  • Media coverage volume and sentiment on copyright and the creative economy.
  • Reported willingness of unlabelled businesses to seek the label.

Data source · Baseline and endline surveys in the three host countries, media monitoring.

04

Quality of collaborations

Did the institutions actually work together?

  • Number of formal agreements between federations, copyright offices, collective management organisations and creator associations.
  • Verified participants by category and country, and retention through renewal.
  • Complaints raised, resolved and time to resolution.
  • Sponsor and federation procurement decisions that applied the CFL condition.

Data source · Registry data, secretariat case log, partner reporting.

Measurement cycle

Baseline

Established before the awareness campaign begins, so change is attributable rather than asserted.

Mid-term

Reviewed at the Expo launch and again three months before kick-off, to correct the programme while correction is still possible.

Endline

Collected within ninety days of the final, before institutional memory disperses.

Publication

Results published in full — including indicators that did not move — so replication elsewhere rests on evidence rather than advocacy.

Reporting principles

  • No indicator without a named data source and an owner.
  • Negative results are published alongside positive ones.
  • Personal data of creators is aggregated before publication.
  • The evaluation is designed with the national copyright offices, not delivered to them.

Evaluation findings feed directly into the criteria. Where an indicator shows a criterion is unworkable for a sector, the criterion is revised at renewal rather than quietly ignored.

See the current criteria